Finally got a chance to try out the ramen at warehouse, and caught jerryfeelsgood for the first time at faculty lounge before seeing kevbo open for James Kennedy (UK).
There’s so much talent in Charleston – and as it grows it just gets better. I hope that I’m able to shed some light on some of the locals here that keep on impressing me every time I take a stroll down the cobblestones.
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The night started at Warehouse. I got a chance to try the ramen which was highly adequate but would’ve been better with homemade noodles and if I was allowed to pair the bok choy with pork belly (one or the other sadly). There were a lot of bachelorettes in this establishment and each group had their own dress code. First came the denim jacket blondes. Then the asians wearing black. It was an interesting scene.
If you have a chance to see one of the true greatest to ever do something you buy the ticket and take the ride. Some of my most painful regrets are not seeing Michael Jordan, Jackson, Shack, Bird, Nirvana, Rage, Biggie Pun or Pac when I had the chance.
That’s why when Miami’s Craze comes to the low country you get dressed and hit the club. Speaking of club, Craze played at Deco, Charleston’s only true nightclub – a venue designed for dancing, with an excellent soundsystem and lighting as well. I was impressed and will certainly be back.
Sparkbox Live at Deco 2/16/2019
A local crew of DJs ‘Strawberry Squad’ booked him, and have AC Slater booked for this weekend. Basically these dudes run Charleston’s nightlife scene and have been getting bookings in Charlotte, Asheville, Myrtle Beach etc. Watch out for these guys! The night started with Palmer who was doing a trance/tech house set with a live production feel and a live saxophone who returned for the next set which was from Sparkbox. This was a much more eclectic set, opening with unrecognizable but quite danceable beats for the sax man to jam over and transitioning ultimately into a more conventional hit parade featuring the ubiquitous sicko mode and some clever transitions into 21 savage discussing the particulars of his bank account.
Ultimately Craze came on and went off! I’ve seen him a number of times in South Florida and the dude always puts on a show. He’s also a genuine person that I’m always happy to see doing what he loves. If you never saw his DMC winning performances or the ‘monster’ routine I will leave some of them here:
Hit the jump to see ALL THE PICS from Craze at Deco
Sending congratulations to Aly and Liam on the launch of the newest Kismet Vintage location. These two have a lot of art and events in store and the kickoff was a great glimpse into what makes them so exciting to be around.
The party burned hot, standing room only in the 1000 square foot retail venue on Clematis ave and featured music from the incredibly talented Lindsey Mills (who also plays bass for surfer blood) accompanied by the Lazy Lovers. Check her solo work out here. The Nervous Monks also played a lively set with the bass player facing towards the band which I thought was cool.
Lindsey Mills pictured with her guitar and the Lazy Lovers at Kismet Vintage WPB.
Later that night I ran into one of the greatest battle rappers of all time Iron Solomon leaving Respectables. This dude is a living legend. He is the real life B-Rabbit character from 8 Mile. Eminem was not really that heavy in the battle scene and would likely lose if he tried to battle now. Iron has maintained his credibility for more than 15 YEARS and has an incredible battle against Dizaster that has a ton of replay value.
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I have some strong feelings about the politics of silent disco. I have expressed to a number of friends and family members that I think it is a type of suppression of culture. It exists in spaces undergoing gentrification to limit the types of parties which take place and allow for higher rent to be charged by shitty landlords. Less artistically interesting neighborhoods and communities replace the spaces where we used to be able to go to express ourselves. Another feature which sucks is you have to pay to get the headphones – it turns it into an exclusive activity. Think of how different the vibe is from the jams in the parks or yards of jamaica or the bronx which laid the foundation for this music shit.
Still there are some interesting aspects to it. The principal one for me is the competition. You have three djs on a stage and three channels of music to choose. The djs and the audience members can all see who is listening to which dj based on the color of the headphones – you have a recipe for a soundclash. I think competition is incredibly important in hip hop culture – really the foundation of hip hop culture. Last night I saw the scene in “the get down” where shao shuts down the disco with the first breakdancing demo which really brings this home. If you don’t think graffiti or mcing are competitive think again. I saw a live graffiti competition in wynwood not long ago (secret walls miami) and king of the dot and URL are doing big things in the Americas while don’t flop and others are making money on battle rap around the world.
Regardless of my opinions when Ant Smith is rocking somewhere I gotta go and support. I even got to play a couple tracks (usher yeah and lil jon get low were my selections). There was a fun opening set from Obnoxiousrich and Latenite with selections reminding me of a trippy turtle or schlohmo-esque vibe. Latenite also hit us with some classic hip hop playing Biggies “Only You” and no I didn’t want it to stop.
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It is always an impressive homecoming when I get to DJ in Pittsburgh. There is a wonderful energy in this city in the Spring. I got to rock with one of my all time favorites DJ Nugget and celebrate his one year anniversary. I got to eat fries at the Original, had a Mineos pizza, and took a long walk through Blue Slide Park. I celebrated an extremely memorable passover seder and even survived to return back home to South Florida.
Thanks to Michael George, Grace, and Irene for holding down the dancefloor early. I was happy to record my 80 minute opening set and thought it went pretty well – made a couple mistakes but wanted to present it exactly the way it went down in Pittsburgh for you all. I dug deep on this one but also played some of the songs I think are going to be hits in the next few months including aminé’s “REDMERCEDES” and mansionz’ “Dennis Rodman.”
Check the rest of the pictures after the break
If you’re a lover of dance music at some point you’re going to have to make the pilgrimage to Miami for Ultra Music Festival. This year Crocmode decided to kick off festival season in the Magic City and find out how this festival that began in 1999 on the beaches of South Beach has managed to take over the world. What we learned is that concrete and palm trees are one hell of a backdrop for an epic dance party!
On Day 1 Miami greeted us with cloudy skies and long slow lines as both revelers and the security staff figured out how they were going to work the three check-points prior to entry. It took us about an hour and a half to get inside and once we did it was a full on auditory assault as we were confronted with the deafening sounds of Bro Safari. Of all the acts at the Ultra Worldwide stage, Bro Safari pulled off his brand of trap and dubstep the best. And while younger fans that are still forming their musical preferences may be enamored with that bombastic style, we were anxious to see what other surprises Ultra had in store for us.
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It’s time for you to go back home. Home to the home of techno. Detroit. The word is french for jack your body till your feet fall off and the concrete cracks beneath you.
Each Memorial day weekend for the past 10 (plus) years paxahau promo has brought us the music festival a true techno freak cannot miss. You might not have been before and might be envisioning a different music festival – something like a bonnaroo with camping and diverse musical genres – movement features neither. You might be envisioning something like lollapalooza where 13 and 14 year olds trample you on your way to hear a band that mattered when you were their age perform songs you cared about as a child – movement doesn’t pander to your sense of nostalgia and it doesn’t book acts that don’t matter any more. The reason movement matters so much is it is curated. This is a difficult concept to grasp because I know of no other festival (burning man? but I worry that much of the art is created “on the fly” and not officially sanctioned) where this occurs to any great degree. Sure in 2014 there was the trap stage in the woods where the kids could go to play, and in 2013 they booked Skrillex – well the festival returns to its purist roots this year in a big way.
The headliner doesn’t get much purer as techno heads go – Kraftwerk – yup the german dudes who stand in front of the computers and make electronic music (in 1978). While you could argue these dudes haven’t really been relevant in a long time and go against my whole diatribe against lolla it doesn’t matter because they are the TRUE OGs and invented everything electro. The other concern is this is the 3D tour which has been going on for some time now (they played the olympia in Miami last September) and many of us may have seen it already (not me). As for additional heat rocks and surprises – I could rave for days about the quality of the artists booked – and also the scheduled times! So many Summer fests screwed up the set times and double booked crucial performances (HELLO LOLLA).
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